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SEE ALL THE POSTERS HERE

SEO can make all the difference if you are looking to get your website a first page ranking and increase the amount of traffic that it receives on a daily basis. But what is SEO and is it difficult to achieve? Here are a few things that you should know about good search engine optimising and getting it right for your website.

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The World Live Web is incredibly active, and according to Technorati data, there are over 175,000 new blogs (that’s just blogs) every day. Bloggers update their blogs regularly to the tune of over 1.6 million posts per day, or over 18 updates a second.

Today a blog is all about business, SEO, CSS, connection, metrics, analytics all sorts of crazy things but if you draw a line at the end of the day and you think about it , its all about the idea of instant global self expression!

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NEW BLOG x3

Yes people this is true i got 3 new blogs and guess what they on blogspot . I want to thank you all for visiting my wordpress blog and i really hope that from now on you will visit (as much as u did with this one) my new blogs.

MY NEW BLOGS :

STEREO PICTURES

WICKED VIDEOS

GOOD THINGS

If i will create more blogs than u can just find them in the links section of any of the blogs listet above.

Its been nothing but pure pleasure just being with each and every one of you!

much love

ill see you on my new blogs

murda

KRUGER BLOG

A few months ago i finally could buy his book The Beat of Urban Art – The Art of Justin Bua and since i got it im all over it!IT IS AMAZING!!!

Right now its like 3:40 AM and im all over the book!(is this obsession?)…but ‘neway when i got to the Jazz Quintet picture , my mind took me back in time like 3 or 4 years when one of my friends(Dephu !!!big ups bro!!!) introduced me (than) to a fantasy world…the world of Ernie Barnes

so as usual a likkle sum sum ’bout Ernie Barnes than ill post the link to his website where u can and i hope u will as well as i hope u will check justin’s website!

ERNIE BARNES

Ernest Eugene Barnes Jr. was born July 15, 1938, in a poor section (“the bottom”) of Durham, North Carolina. His father, Ernest Barnes Sr., worked as a shipping clerk at Liggett Myers Tobacco Company and his mother, Fannie Mae Geer, was employed as a domestic for Frank Fuller Jr., a wealthy Southern attorney who would guide Barnes into the world of art.

On days when Fannie Mae allowed her son to accompany her to work, Fuller would talk to young Ernest “about art and life. He would call me into his study and allow me to look through his art books. I enjoyed this room of polished, mahogany walls with leather chairs, shelves of leather-bound books and the sound of classical music. He would tell me about the various schools of art, his favorite painters, the museums he visited and other things my mind couldn’t quite comprehend at the age of seven,” the artist recalls. So it was particularly surprising when Fuller, as a member of the local school board, voted against school desegregation. “He told my mother he didn’t think ‘the Whites are ready.’”

By the time Barnes entered the first grade, he was familiar with the works of such masters as Toulouse-Lautrec, Delacroix, Rubens, and Michelangelo. By the time he entered junior high, he could appreciate, as well as decode, many of the cherished masterpieces within the walls of museums — although it would be a half dozen more years before he was allowed entrance because of his race.

Unusual for a lower-middle class child growing up in the segregated South of the 1940s, Barnes’ mother believed in education and exposure to the arts. “She tried to get me to do all the things that would make me a culturally enriched person. She pushed me in the direction of art and music. I took lessons in tap dancing, saxophone, trombone, violin and piano,” he says, noting with a laugh that he mastered none of them. Early on, however, he showed a talent for art. “I was never in class. I was always off somewhere decorating stuff.”

Overweight and extremely introverted, Barnes was a target for ridicule from the time he started the first grade through his junior year in high school, continually seeking refuge in his sketchbooks.

“They hated me,” he says of his classmates. “My mother escorted me to school ten times before I could accept the fact that I had to stay there. I couldn’t conform easily to the athletic ideal and was made to feel inadequate. I wasn’t able to fight, to run fast, nor was I picked for rough games. I was introverted and shy. If there was a day that I did not come home in tears because of a fight, it could be attributed to sickness, the weekend, or it was rained out. I was beaten so severely, my mother requested that I be allowed to leave school fifteen minutes before the other kids, and permission was granted.

“When I was at home and drawing, I was happy. My senses addressed themselves naturally to the discovery of what I could make happen on paper. It was so easy. From the shrouded mists of my sensitivity, I made friends with lines, allowing them to flow into things belonging to my immediate environment; the trees, clouds, birds and people. In school, nobody laughed and made fun of me when I was drawing. They just watched in silent awe.”

At the age of 13 came the rude awakening that the only way of getting a girlfriend was by exerting his prowess through sports. Even then, he says, “the athlete was respected as the finest embodiment of one’s African heritage. There were those convinced that the only way to heaven was with a football or basketball. Most definitely a bat. On any given day, the number one question on the block was, ‘Hey, man. What did the Mays do today?’ or ‘Did you see the way the brother was running?’ Any Black male worth giving the time of day owed it to his race to at least make an attempt to hit ‘The Gipper’ as soon as he touched the ball.”

Unfortunately, the sensitive young man could not avoid the issue forever. Nature had played a cruel trick; Barnes had grown too tall to overlook. He finally reported to the coach’s office, got weighed, assigned a locker, and outfitted with pads, helmet and practice gear. Dismally out of shape and lacking the killer instinct necessary to survive serious injuries on the field, he quit after two practice sessions.

[...]

 ERNIE BARNES WEBSITE

]]> http://murdamw.wordpress.com/2008/03/21/it-really-hurts/feed/ 0 murdamw untitled-1.jpg http://murdamw.wordpress.com/2008/03/06/alex-grey-visionary-art/ http://murdamw.wordpress.com/2008/03/06/alex-grey-visionary-art/#comments Thu, 06 Mar 2008 01:43:28 +0000 murdamw http://murdamw.wordpress.com/?p=310 ]]> Alex Grey was born in Columbus, Ohio on November 29, 1953 (Sagittarius), the middle child of a gentle middle-class couple. His father was a graphic designer and encouraged his son’s drawing ability. Young Alex would collect insects and dead animals from the suburban neighborhood and bury them in the back yard. The themes of death and transcendence weave throughout his artworks, from the earliest drawings to later performances, paintings and sculpture. He went to the Columbus College of Art and Design for two years (1971-73), then dropped out and painted billboards in Ohio for a year (73-74). Grey then attended the Boston Museum School for one year, to study with the conceptual artist, Jay Jaroslav.

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Julian Beever is an artist who has spent 10 years creating pavement art in Europe, USA and Australia. Many of his creations are optical illusions, such as this one, where Julian appears to be perched on a ledge, waiting for Batman and Robin to climb the building and rescue him.

In reality, there is just pavement in front of him, and the street below together with the expectant crowd, plus the blazing building below him, are all tricks played on the eye (a modern example of trompe l’oeil – a French term that means literally ‘trick the eye’).

While many of his pictures can take a whole day to create, by the next day they are often gone, vanished under the feet of passing pedestrians. It is a very evanescent art form, one that lives mostly through photographs taken at the time.

Maurits Cornelis Escher (June 17, 1898 – March 27, 1972), usually referred to as M. C. Escher, was a Dutch graphic artist. He is known for his often mathematically inspired woodcuts, lithographs and mezzotints. These feature impossible constructions, explorations of infinity, architecture and tessellations.

Early life

Maurits Cornelis, or “Mauk” as he came to be nicknamed^[1], was born in Leeuarden, The Netherlands. He was the youngest son of civil engineer George Arnold Escher and his second wife, Sara Gleichman. He was a sickly child, and was placed in a special school at the age of seven and failed the second grade^[2]. In 1903, the family moved to Arnhem where he took carpentry and piano lessons until he was thirteen years old.

From 1903 until 1918 he attended primary and secondary school. Though he excelled at drawing, his grades were generally poor. In 1919, Escher attended the Haarlem School of Architecture and Decorative Arts. He briefly studied architecture, but failed a number of subjects (partly due to a persistent skin infection) and switched to decorative arts^[2]. Here he studied under Samuel Jessurun de Mesquita, with whom he would remain friends for years. In 1922 Escher left the school, having gained experience in drawing and making woodcuts.

Later life

In 1922, an important year in his life, Escher traveled through Italy (Florence, San Gimignano, Volterra, Siena) and Spain (Madrid, Toledo, Granada). He was impressed by the Italian countryside and by the Alhambra, a fourteenth-century Moorish castle in Granada, Spain. He came back to Italy regularly in the following years. In Italy he met Jetta Umiker, whom he married in 1924. The young couple settled down in Rome and stayed there until 1935, when the political climate under Mussolini became unbearable. Their son, Giorgio Arnaldo Escher, named after his grandfather, was born in Rome. The family next moved to Château-d’Œx, Switzerland where they remained for two years.

Escher, who had been very fond of and inspired by the landscape in Italy, was decidedly unhappy in Switzerland, so in 1937, the family moved again, to Ukkel, a small town near Brussels, Belgium. World War II forced them to move in January 1941, this time to Baarn, the Netherlands, where Escher lived until 1970. Most of Escher’s better-known pictures date from this period. The sometimes cloudy, cold, wet weather of the Netherlands allowed him to focus intently on his works, and only during 1962, when he underwent surgery, was there a time when no new images were created.

On April 30, 1955, Escher was awarded a Knighthood of the Order of Orange-Nassau.

Escher moved to the Rosa-Spier house in Laren in 1970, a retirement home for artists where he had his own studio. He died at the home on March 27, 1972, at 73 years of age.

Works

Escher’s first print of an impossible reality was Still Life and Street, 1937. His artistic expression was created from images in his mind, rather than directly from observations and travels to other countries. Well known examples of his work also include Drawing Hands, a work in which two hands are shown, each drawing the other; Sky and Water, in which light plays on shadow to morph fish in water into birds in the sky; Ascending and Descending, in which lines of people ascend and descend stairs in an infinite loop, on a construction which is impossible to build and possible to draw only by taking advantage of quirks of perception and perspective.

He worked primarily in the media of lithographs and woodcuts, though the few mezzotints he made are considered to be masterpieces of the technique. In his graphic art, he portrayed mathematical relationships among shapes, figures and space. Additionally, he explored interlocking figures using black and white to enhance different dimensions. Integrated into his prints were mirror images of cones, spheres, cubes, rings and spirals.

In addition to sketching landscape and nature in his early years, he also sketched insects, which frequently appeared in his later work. His first artistic work was completed in 1922, which featured eight human heads divided in different planes. Later in about 1924, he lost interest in “regular division” of planes, and turned to sketching landscapes in Italy with irregular perspectives that are impossible in natural form.

Although Escher did not have a mathematical training—his understanding of mathematics was largely visual and intuitive—Escher’s work has a strong mathematical component, and more than a few of the worlds which he drew are built around impossible objects such as the Necker cube and the Penrose triangle. Many of Escher’s works employed repeated tilings called tessellations. Escher’s artwork is especially well-liked by mathematicians and scientists, who enjoy his use of polyhedra and geometric distortions. For example, in Gravity, multi-colored turtles poke their heads out of a stellated dodecahedron.

The mathematical influence in his work emerged in about 1936, when he was journeying the Mediterranean with the Adria Shipping Company. Specifically, he became interested in order and symmetry. Escher described his journey through the Mediterranean as “the richest source of inspiration I have ever tapped.”

After his journey to the Alhambra, Escher tried to improve upon the art works of the Moors using geometric grids as the basis for his sketches, which he then overlaid with additional designs, mainly animals such as birds and lions.

His first study of mathematics, which would later lead to its incorporation into his art works, began with George Pólya’s academic paper on plane symmetry groups sent to him by his brother Berend. This paper inspired him to learn the concept of the 17 wallpaper groups (plane symmetry groups). Utilizing this mathematical concept, Escher created periodic tilings with 43 colored drawings of different types of symmetry. From this point on he developed a mathematical approach to expressions of symmetry in his art works. Starting in 1937, he created woodcuts using the concept of the 17 plane symmetry groups.

In 1941, Escher wrote his first paper, now publicly recognized, called Regular Division of the Plane with Asymmetric Congruent Polygons, which detailed his mathematical approach to artwork creation. His intention in writing this was to aid himself in integrating mathematics into art. Escher is considered a research mathematician of his time because of his documentation with this paper. In it, he studied color based division, and developed a system of categorizing combinations of shape, color and symmetrical properties. By studying these areas, he explored an area that later mathematicians labeled crystallography.

Around 1956, Escher explored the concept of representing infinity on a two-dimensional plane. Discussions with Canadian mathematician H.S.M. Coxeter inspired Escher’s interest in hyperbolic tessellations, which are regular tilings of the hyperbolic plane. Escher’s works Circle Limit I–IV demonstrate this concept. In 1995, Coxeter verified that Escher had achieved mathematical perfection in his etchings in a published paper. Coxeter wrote, “Escher got it absolutely right to the millimeter.”

His works brought him fame: he was awarded the Knighthood of the Order of Orange Nassau in 1955. Subsequently he regularly designed art for dignitaries around the world.

In 1958, he published a paper called Regular Division of the Plane, in which he described the systematic buildup of mathematical designs in his artworks. He emphasized, “Mathematicians have opened the gate leading to an extensive domain.”

Overall, his early love of Roman and Italian landscapes and of nature led to his interest in regular division of a plane. He worked in the media of woodcuts, lithographs and mezzotints. In his lifetime he created over 150 colored works utilizing the concept of regular division of a plane. Other mathematical principles evidenced in his works include the superposition of a hyperbolic plane on a fixed 2-dimensional plane, and the incorporation of three-dimensional objects such as spheres, columns and cubes into his works. For example, in a print called “Reptiles,” he combined two and three-dimensional images. In one of his papers, Escher emphasized the importance of dimensionality and described himself as “irritated” by flat shapes: “I make them come out of the plane.”

Escher also studied the mathematical concepts of topology. He learned additional concepts in mathematics from British mathematician Roger Penrose. From this knowledge he created Waterfall and Up and Down, featuring irregular perspectives similar to the concept of the Möbius strip.

Escher printed Metamorphosis I in 1937, which was a beginning part of a series of designs that told a story through the use of pictures. These works demonstrated a culmination of Escher’s skills to incorporate mathematics into art. In Metamorphosis I, he transformed convex polygons into regular patterns in a plane to form a human motif. This effect symbolizes his change of interest from landscape and nature to regular division of a plane.

One of his most notable works is the piece Metamorphosis III, which is wide enough to cover all the walls in a room, and then loop back onto itself.

After 1953, Escher became a lecturer to many organizations. A planned series of lectures in North America in 1962 was cancelled due to illness, but the illustrations and text for the lectures, written out in full by Escher, was later published as part of the book Escher on Escher. In July of 1969, he finished his last work before his death, a woodcut called Snakes. It features etchings of patterns that fade to infinity both to the center and the edge of a circle. Snakes transverse the circle and the patterns in it, with their heads sticking out of the circle.

Many well known museums include original works by Escher in their collections. Some leading public collections include the following: The National Gallery of Art in Washington, D.C., The National Gallery of Canada in Ottawa, The Israel Museum in Jerusalem, The Escher Museum at The Hague, The Netherlands, and the Fine Arts Museums of San Francisco. Escher’s work appears in many of the finest private collections including the Schwartz Collection of Boston, the Walker Collection of San Diego, the Vess Collection of Detroit, the Roosevelt Collection of Palm Beach, the Price Collection of Connecticut, and the Elder Collection of San Francisco.

M.C. ESCHER WEBSITE

Tracklist :

01.RJD2 – Work
02.LOOPTROOP – Headsdayoff
03.WAX TAILOR – The Man With No Soul (feat. Charlotte Savary)
04.DJ SAYEM – Worlds of Flowers
05.DJ SHADOW – This Time
06.DJ CAM – Life Of Fortune & Fame
07.KID KOALA – Basin Street Blues
08.GOTAN PROJECT – Mi Confesion
09.HIGH TONE – Taniotoshi
10.PORTISHEAD – Sheared Box
11.A GUY CALLED GERLAD – Humanity
12.IRA LEE – Little Japanese Girl
13.MORCHEEBA – Pony
14.JIM MORRISON – Awake
15.JAMIROQUAI – Talulah
16.DUSTY SPRINGFIELD – Son of a Preacher Man
17.LAMB – B Line (Herbaliser MIX)
18.PIZZICATO FIVE – Porno 3003 (Thievery Corp. RMX)
19.XZIBIT – The Foundation
20.ATMOSPHERE – The Woman With the Tattooed Hands
21.MACY GRAY – A Moment To Myself
22.N.O.H.A. – Past Windows
23.BELLERUCHE – Reflection

DOWNLOAD MIX

Screen size     3.5 inches  ;  3.3 inches
Screen resolution     320 by 480  ;  720 by 480
Input method     Multi-touch  ;   Touch Screen
Operating system     Mac OS X  ;  Win CE 6.0
Storage     4GB or 8GB  ;  ?
GSM     Quad-band (MHz: 850, 900, 1800, 1900)  ;   GSM+TD-SCMA
Wireless data     Wi-Fi (802.11b/g) + EDGE + Bluetooth 2.0  ;   Bluetooth + TV-Out
CPU    ?  ;   ARM11+ Video CODEC
Camera     2.0 megapixels  ;  3.0 megapixels + 0.3 megapixels
Dimensions     115 x 61 x 11.6mm  ;  105 x 57 x 11.5mm
Weight     4.8 ounces / 135 grams  ;  ?

What’s Joost?
It’s video – more than 15,000 shows, with more added daily.
It’s online – all you need is a broadband internet connection.
And it’s free. So what are you waiting for?

Available for Windows and Mac OS

JOOST

playlist:

sublime-summer time
dub pistols-you’ll never find
mr scruff-midnight feast
bonobo-shugar rhime
thievery corporation-richest man in babilon
big youth-whatterhouse rock
long beach dub allstars-kick me down
zion i-one
damian marley-road to zion
long beach dub allstars-life goes on
rjd2-someone’s second kiss
9 lazy 9-the herb
rjd2-ghostrider
jazz liberators-fort green place
son of ran-rumors
the roots-dont say nothing
kenny dope-gangsta shit
racla-1.2-2.10
onyx-slam
wu tang-shame on a nigga
naughty by nature-wickedest man alive
cutty ranks-limb by limb
kenny dope-inside
mr. blend-rhythm&booze
dj c & quality diamond-let it billie
kenny dope-get down
dr. dre-let me ride
jazz liberators-ease my mind
n’tyce-hush
the pharcyde-runnin
krs-one-outta here

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I made my Mac OSX 10.4.10 Tiger look like Leopard!:D:D:D Feelz kinda nice…looks good!

All u need to make it look like Leopard is : LIGER , ShapeShifte and ClearDock

As u can see in the pic attached above it looks great!!!

Rigt now,Im not in the mood to write every step on how to do it!

SO….

If u want to do it just leave a comment and ill consider your desire!

Much love!

murda

The holidays are comming!Oh ,what a joy!!!!

Shopping,ski trips,sitting by the fire with a nice glass of wine or singing Xmas carols

with your loved ones(or…in my case eating like a pig and watching movies and tv shows:P)!The perfect scenario!

But did u ever think about the less fortunate people,especially children,in Africa that are doomed to fight everyday with HIV and Aids??

Now u might think that im a jackass and im just tryin to ruin your Xmas hype!

But this is real!There are thousands and thousands of innocent children that are struggleing everyday becouse they cant afford the necessary drugs,drugs that keeps them alive!

Where am i going with all these?

Well… !!! NOW !!! you have the tremendous power to save lifes!

How u might ask?(if u didnt already know about this!….if u knew and i did something about it,i salute u!)

With a little thing called (PRODUCT)red!

Several corporations and brands addopted this (motorola,american express,gap,armani,convers and apple for now)!

How does it work?

Well lets say ur kid wants for Xmas the new nano ipod from apple!and he was a good kid,school is good,did all his house chores and u decide to get him one!

Well now u can buy the  (PRODUCT)red! new nano ipod ,and a fair amount from its price will go to the Global Found to Fight AIDS, Tuberculosis and Malaria (if im not mistaken)!

Ok put it this way (is just an example but it can be done;tell ur friends) : if u buy 10 motorola (PRODUCT)red! cell phones u ensure 1 yr worth of treatment!(and the phone is like 80 buks)(like i said tell ur friends,maybe u can start a motorola fan club or something )

The same way goes with the other names listed above …. every corporation and brand has some (PRODUCT)red! articles!

The thing is : ur going to buy products from them anyway….why wouldnt u buy the (PRODUCT)red! … ull get what u wished for and above all that u saved a life!

Be a hero!!! do the (RED) thing!

For more info on this pls click here

NOTE : not all the products have to be red!Dont expect, that if u want to buy a suit from armani,and u want to buy it (PRODUCT)red! , u have to buy a red suit!

Thank you all!

much love

murda

The buzz that this expatriate entertainer is creating in music circles, is due in no uncertain way to the Jamaicanness – the walk, the language and the attitude – which he has adopted since his arrival less than ten years ago, as evidenced in the video for his song, Kingston Town.

In the history of popular Jamaican music, Alborosie is at that place where the late Barbadian Jackie Opel, as well as such Trinidadians as Kenrick Patrick, aka Lord Creator and Lord Laro, distinguished themselves using Jamaican music and culture. They were their respective countries’ gift to Jamaica. And to the extent to which he captures the ethos of the dancehall/reggae, it is safe to say, Alborosie is now Italy’s gift to Jamaica.

“My name is Alborosie. I was born 1977 in Sicily, real badman turf,” he chuckled. “I’m an artiste/producer/ musician. I started (in music) like about  1993 with my own ting. My band and everything. And then bit by bit now, me get bigger and bigger and reach like the top top level. You understand. This was in Italy. We signed major deals almost with everybody like BMG, EMI and the works… And then after ten years of shows and albums and all kinds of stuff. I decided to move to Jamaica,” explained Alborosie.

When Splash asked the reason for his pilgrimage to the mecca of reggae, the Caucasian dreadlocks added; “I felt like I want to discover reggae more. I need to find the roots, the real foundation. So I came to Jamaica. I was coming to Jamaica before as a tourist and so on. Then 2001 I decided to move to Jamaica and I left everything. I left the band, I left the agency, the label. Dem time deh, me did sign with Universal (Records). And I just sell everything and come to Jamaica. To get a different vibes, different life.”

He then spoke about how the move to Jamaica has paid dividends for him. “So I start to work with Gee-Jam producing and in the meantime doing my own thing building my tune dem and stuff, learning the thing. I put together an album and now the thing is bubbling and I get a nice number one tune now inna Europe. The first song was Herbalist. That song created like a major impact in Europe. In Europe it was like one of the biggest tunes, but in Jamaica it wasn’t radio-friendly.

“And then now I released Kingston Town. So now the bomb explode and now the song is like number one in Germany, number one in Italy, number three in England by David Rodigan’s chart. From January up to now, I reached like 400 dubs. Something is happening.”

Continuing, he said, “Jamaica is a difficult turf. In Jamaica, the people like my stuff, but the problem is the industry. I think Jamaica should be more opened to the outside market like Europe, which actually is the market. but it’s not like that. But with this big tune which was released in Europe first, I’m leaving in July for a European tour, and returning the middle of August.
“And now we’re going to release it (Kingston Town) in Jamaica pon a level. Some big things happening now and we need to respond to that.”

Describing himself as a new generation Rasta, Alborosie, who has been wearing dreadlocks for the past 15 years since 1992, explained. “The way I see myself is like a Christian Revolutionary. We just work with the Most I [high], we nuh wear nuh uniform. We don’t use eye to judge people, we use heart and love. His Majesty, alongside Christ, is a whole family, from Jacob and Moses, it’s just one unity and livity.

I love Jamaica. I love the people, the culture, the food, the music, the vibes and everything. Jamaica is everything to me. And it’s not just the place where I want to live. Is the place where I want to die. Because a man like me now with this kind of job, I live all over the world. But the place where you gonna die is the place where you gonna rest forever. And you gonna keep the legacy for yah soh Jamaica is my place.”

State lawmaker Ernie Chambers filed a lawsuit Friday against the Almighty — acknowledging he/she goes by numerous aliases — for causing “fearsome floods, egregious earthquakes, horrendous hurricanes, terrifying tornadoes, pestilential plagues” and other alliterative catastrophes.

Neither God nor his/her spokespersons could be contacted for comment.

Balkan Beat Box is an American world music duo consisting of ex-Gogol Bordello member Ori Kaplan and Tamir Muskat of Firewater and Big Lazy. As a musical project they often cooperate with a host of other musicians both in the studio as well as on stage. Their current live crew consist of Tomer Yosef, Billy Levy, Ben Hendler, Itamar Ziegler, Dana Leung, Eyal Talmudi, Jeremiah Lockwood, and Peter Hess. Amongst their other collaborators are Victoria Hannah, the Bulgarian Chicks, Uri Kinrut, and gnawa player Hassan Ben Jaffar.

Balkan Beat Box establish their own unique sound by fusing the musical styles of Jewish, Mediterranean and Balkan traditions as well as the cultural influences of their home turf of New York City with some tints of electronica.

They cite Boban Marković, Rachid Taha, Fanfare Ciocarlia, Manu Chao, and Charlie Parker amongst their musical influences.

BBB WEBSITE 

BBB MYSPACE 

Peace Dj Timber. Please introduce yourself to the audience.

My names Timber aka the Grand Supreme Timber Machine. I’m down with the Mighty Zulu Kingz, Bad Taste Crew, Horsepower DJ Militia, Belfast City Breakers & Flava Squad. I grew up in Belfast, Northern Ireland & moved to Manchester, England in 2001 where I’ve been based ever since. I was born in 1982 and I am 6’4″ tall.

When did you started Djing and what inspired you to do it?

Well, I never really intended on becoming a “DJ”, I started getting into rap music when I was around 14 / 15, I started listening to Wu Tang, Rakim, Fugees, KRS-One, Erick Sermon, Biggie and anything else I could get my hands on really. I loved the ruggedness and the energy of the music, I can’t count the amount of times I’ve listened to 36 Chambers!! I used to play basketball for a local team and I met an Australian guy (Luke) there who used to pass me tapes & CD’s. My early music collection was all on tape. Then I started going to Luke’s house, listening to music there and one day he and his bro bought turntables, I had a go on them once and that was it, haha. I guess I started buying records in 1999 and by 2000 I saved up enough money to buy my own turntables and a mixer! My friend JP won the Ireland DMC’s in 2000 and sold me his Technic’s because he won a new set! I guess those are lucky turntables, hahaha.

Was it hard for you to get into the whole Dj culture? Who teached you your first things on the turntables?

Well, nobody ever taught me anything technical about how to do it, I learnt off trial and error, never read any books, did any workshops or watched any videos, lol. My greatest inspirations for DJing are Sconey & the Madden Twins from Belfast City Breakers, I met them in 1999 when I first started b-boyin, I used to see them at clubs and then we’d go back to their houses and sit up all night drinking, singing, DJing, dancing, joking, cooking food & eating it! I guess they taught me how to drink to, haha. They really schooled me about breaks, digging, b-boyin, they’ve been dancing since 1983 in Belfast, they’ve never stopped and well, they are amazing people!! The schooling they gave me was more “give a man a fish & he can eat for a day, teach a man how to use a fishing rod he can eat for ever” kinda thing and I will forever be grateful for that!

When I moved to Manchester, I met Mouse & he used to come to where I lived and dance around my room, up the walls and on the ceiling to the records I’d play him. He taught me a lot about how to promoting myself and about understanding my value. He helped me get a lot of gigs then (and still does) as he was becoming the best b-boy in the UK then and everyone knew him. He has been one of my main inspirations, both for DJing and b-boying, and has watched out for me from the moment we became friends.

Since you’re also a Bboy, what is your breaking background? When did you start bboying and who introduced you to the dance?

I remember seeing b-boying as a child, my parents told me I was about 3 or 4 and I was just stood fixated on it, they couldn’t distract my attention. It had always been at the back of my mind however I never really thought of trying it until I was about 14 or 15, the beginning were VERY slow, no videos, no internet, no books, no teachers, just me and my imagination!! Then someone introduced me to a guy called James Donnelly in late 1998, he had a copy of BOTY 95, he was instantly my new best friend, I used to cycle half an hour to his house every day to watch that video then we’d go in his garage, put some cardboard down and roll around the floor. In mid-1999 we went to Belfast City Breakers Anniversary party, I thought they’d be rubbish, but they were amazing…as good as anyone I saw in BOTY! I met Bad Taste Crew there for the first time to, they had just started but they were still good! BCB were mostly training when I was in school and I didn’t have enough money to get the bus over there so I stayed in school and practiced with them once every couple of weeks in the evenings. Every time I saw them they taught me something new, I was practicing a lot at home in my living room, I spent a lot of time learning headspins with a helmet on carpet, lol. Information was hard to come by and I guess that really gave me my thirst for the culture. I remember dreaming about the day I could go somewhere and see 20 b-boys, never mind a b-boy event, thats why I moved to England, because I’d heard there was a scene there.

In July 2006 I twisted vertebrae in my neck doing headspins which nearly forced me to stop dancing completely, it took about 5 months before I could dance more than once every two or three weeks. I’m back now, but I know I’ll never be able to do what I used to but that’s OK because I’ve adapted and come back stronger and better! I’ve had more than my fair share of injuries over the years but nothing stops my love or passion for b-boying. The way I see it is there’s me, the music & the floor and nothing else really matters!

You’re reppin’ many crews like Mighty Zulu Kings, Bad Taste Crew (Ireland), Horsepower and Flava Squad. How did you get down with all these crews?

Before I get into that, I’d like to point out that first and foremost I am my own man, I make my own decisions, I stand on my own two feet and its for those very reasons that all those I consider my family are my family because I know that whatever I do they have my back!

Belfast City Breakers are Godfathers of the Irish hip hop scene, the only thing they asked me to do is carry the torch for them and I am proud to say I’m a student of theirs and even though they are my teachers they are still students themselves – never stop learning!!

Bad Taste Crew hail from Omagh, Northern Ireland, it was originally a graf crew, however a couple of members started b-boying & they to got much of their early schooling from BCB and although we grew up in different places we’ve always been tight. I feel like we help carry on what BCB started, keeping Irish b-boying alive and do our best to continue on their legacy! I’m really proud of everything the boys have achieved and continue to achieve! The crew is now based in Newcastle, England

Mighty Zulu Kingz: The first time I met Alien Ness I was DJing in Leeds, I guess he liked me then cus he carryed my box of records down the street for me (why does nobody else do this?? hahaha). He heard me DJ another 3 times and he really liked my DJing. Then we went to Croatia for Circle Prinz South East Europe 2007, we’d talked before but we’d never really chilled, we were staying at the same spot for the whole weekend so we had time to kick it. I took his workshop out there, then the next day was Circle Prinz, I had talked to Ness about the way he judges battles and I got inspired because of the way he was talking and he see’s things the same way I do! They had 29 pairs of b-boys down to enter, so that gets eliminated down to 16. After round 18/19 I said to Atomic from Croatia (who was hosting the event and was the only person I knew there) “you wanna enter this” and he said “yeah” so that was that, we did the first round, got through the eliminators, I was splitting DJing the rounds half and half with DJ Woo-D from Slovenia, so then we got through the top 16, then won our quater final battle, then I had to DJ the next battle without any break which was the first semi final and dance in the one after that, I was wrecked & we got beat in the semi finals. I DJ’ed the whole of the next day at West Coast Istra Battle, after the final Ness & Pepito came up to me and asked me if I wanted to be down with the family, they said my DJing was fresh, my dancing was fresh and I have the same love & perspective for b-boyin as them so they when they asked me to get down it was a great honour!

Horsepower: I used to joke with Lil Lean, he asked me once on MSN “what’s that break?” and I told him it was Horsepower. I used to have the default picture of the two horses on MSN and the name stuck. Lil Lean’s done a great job with recruiting some really great DJs to the crew & promoting all the members. I guess it kinda started cus we started it cus we were sick of hearing wack DJs at events and on videos so we wanted to give promoters a kind of seal of approval.

Flava Squad also came through Lil Lean, its basically like minded talented people

So do you ever get the chance to spent some time with all your crews?

Not as much as I’d like, we all have things to take care of but I know when we do meet its family time! I got made redundant from my job at a record shop 3 months ago and since then I’ve been so busy I’ve hardly even sat down. I guess it was a blessing in a way because I’ve not been receiving unemployment benefits I’ve worked my ass off doing whatever I need to make sure the rent and bills are paid, there’s food in my belly and I got some money to buy new records! I don’t really see my crew’s as crew’s, they are more like family, you can see em once a week or once a year and you know its all good!

Do you sent out your newest tracks to all of you squad members? How do you keep in touch with all of them?

With most people in my crew’s I say to them “I’ll give you my mix-CD’s cus its important to me that you have them but if you got the money for them then give it to me”. Everyone gives me the money unless they are really broke because they know & understand how important it is to support each other & they appreciate what I do. They know that if everyone gives a little it means a lot! I know one person who gave me money one year after I gave them the CD, haha

When you’re working on a new Mix, how is your working process? How do you create a Mix?

Normally it comes from boredom at training, the whole reason I started really buying records was dancing. I’ll make a mix every once in a while to practice to and keep ideas from the mix and think about ways I could incorporate them into a proper mix-tape. I try to keep music varied but have themes running throughout a CD to keep it interesting cus too much of one thing means your attention drops. So i’ll have a soundtrack bit, then some rock breaks, then some funk breaks, then a latin section, whatever helps the mix flow. To be honest, its one of the few things in my life that I do willingly that really irritates me, I kinda hate doing them because I’m a free spirit and I’m also a perfectionist and there’s so much room for error especially playing breaks, but I understand the importance of having something tangible to share with others. It amazes me the places my CD’s travel to and I just do my best to put a fair representation of myself on them.

Since you’ve travelled a lot within the last years, what were your favourite events and your favourite moments on these trips?

There’s been so many amazing memories in such a short space of time, I remember the first time I met Storm in Germany, he’d been doing a 2 week workshop and my friend had organised an after party. I turned up he had no idea who I was, I chatted briefly to him at the end of his class & he’d told me he hurt his leg and he couldn’t really dance, I told him, “nope, you’ll be dancing tonight cus I’m DJing” and sure enough he came down and didn’t stop dancing the whole night. That was a real honour to spin for him and to see the big fat smile across his face when I was spinning.

Spinning at BOTY German Nationals 2005 was special to, because it was in the Pavillion in Hanover, the same place at BOTY 95, that had a special significance for me.

I just got back from United Styles 3 & Floor Lords 26th Anniversary in Boston, we (Zulu Kingz) won $1,000 at the cypher battles at FL 26th Anniv, that was my first time playing in the USA…and to enter the cyphers with my Zulu fam was a real special feeling, I’d never met any of them face to face before but what Ness had told me about everyone in Zulu Kingz having the same outlook and hunger for b-boying was really confirmed for me. We all worked overdrive in those cyphers, we all stood together like a family should…plus it meant I could go on a last minute record buying spree in Boston on Monday morning before I left, haha

I’m sure you got to know most of the Break Dj’s out there. Who are your favourite Break Dj’s?

Well…I am a b-boy first and foremost so anyone that makes me wanna dance is OK with me!! My favourite DJ of all time has to be Leacy (RIP), he was…and forever will be…the greatest! He changed so much in the b-boy scene. I practice to his mixes more than anyone else’s!

And which are your favourite tracks to dance to personally? How would you describe the “perfect beat”?

I always said my favourite record is a record I never heard before. You can’t beat THAT feeling! For me, there’s two types of music, good music and bad music! I LOVE JAMES BROWN. If I had to list some of my favourite classic tracks to dance to I’d say The Grunt, Hot wheels (if the DJ cuts it up it right!!!!), Lovomaniacs, Cloud Nine, Super Bad, Sex Machine, Turnit Loose, Funk To The Folks, If You Don’t Work, You Can’t Eat, Get Into Something, Tighten Up and anything with nasty drums!!!! If you wanna know what I like buy my mix-CDs , hahaha

Do you also Dj at clubs or any other kind of events except Bboy jams?

Yeah, I do lots of stuff, I’ve never played music I consider cheesy or corny or played anything I didn’t like. I know I could make decent money easily on the side playing pop music but to be honest, I’d rather get a job at Tesco’s!! I record hour long ‘radio’ shows and stick em up on my myspace every once in a while to give people something different to listen to, I just play a lot of music on them that I like in the hope that others will enjoy it to!

What are you newest projects you’ve been working on? Where can people order your mixtapes and how do promoter can contact you?

I’ve just released two new mix-CD’s “Super Bad” & “Live From The Timberdrome”. I’ve been working on Super Bad for a couple of years now and it feels great to have finally finished it, Breakin Bread ( http://www.breakinbread.org/ ) have released it on their label, its got loads of shout outs on there from the likes of Ken Swift, Alien Ness, Storm, Mouse, Ata, Pharoahe Monch, Supernatural, DJ Noize, Trac 2, Born, Focus, Dizzy and loads more. The “Live From The Timberdrome” mix was done live start to finish, I did it for my own b-boy training sessions & liked it so much I decide to do a limited release of 200 copies. Both CD’s are available through www.myspace.com/timbertron where I can also be contacted or you can e-mail me at timbertron@hotmail.com

Thanks for taking the time Timber. Any last shout outs?

Yes! Shouts to my families – BTC, MZK, HP, BCB & FS. Special mention to Mouse for all his help, guidance, teaching and encouragement over the years! Fresh Jive, Breakin Bread, Floor Ridaz, Explosomo, Pointman, Tuf Tim Twist & fam, Storm, Hooch, Renegade, Doy Travel, Pogo, Style2ouf, Manchester, Floor Lords, The Craig, Soul Maveriks, Spin, La Familia, Getlow Pirates, Laci Strike, Reveal, Fantastic Superheros, Atomic, Ox Roc, Time-1, Lajony, Teknyc, my family, BOTY, Ill Boogz, Andy Madhatter, Vox Pop, Concrete Kings, Spaghetti Face, Gabor (Enemy Squad), Flying Steps, Raw Edge and everyone who has supported me!

TIMBER MYSPACE 

01 Juicy – New York, New York
02 Everyday Struggle – A Day In The Life of a Fool
03 Nasty Boy – For Every Man There’s A Woman
04 Come On – My Way of Life
05 Interlude – The World We Know (Over & Over)
06 Dead Wrong – In My Room (Nancy Sinatra)
07 Let’s Get In On (feat. 2Pac) – Rain In My Heart
08 Hypnotize – Little Green Apples
09 Interlude
10 Crack Commandments – Fools Rush In
11 Runnin Victory 2004 – A Long Night
12 Unfoolish (feat. Ashanti) – Out Beyond The Window

DOWNLOAD 

Ion Zupcu was born in Romania in 1960 and came to New York City in 1991. He began his explorations of photography working in a studio in his native city. A few years later, while spending long hours in his living room taking care of his daughter but with the desire to take photographs himself, Mr. Zupcu began to take still-life photographs of vases and flowers. During this same period he came across the still life and staged photography of other artists, an encounter which influenced him greatly.

In New York, while driving a yellow cab, he met the owner of a black and white photo lab and began working for him, learning the tools of traditional black and white printing. In 1993, two events occurred which enhanced his appreciation for and cemented his desire to pursue the art of black and white photography: his first visit to the International Center of Photography and his discovery of the three Ansel Adams books, The Camera, The Negative and The Print.

In 1998, after seven years of separation, he was at last reunited with his daughter and wife in New York, and their arrival awakened in Mr. Zupcu a sense of purpose and new-found motivation. While he had been working primarily with landscape photography, his passion for the still life suddenly reigned and Zupcu began spending long hours shooting, studying and mastering the art of still life printing. His first serious investigation into the genre began in 1999 with a series entitled simply Flowers, which was followed by numerous collections of photographs depicting bottles, fabrics, eggs and portraits. His latest project is entitled Works on Paper. Mr. Zupcu’s prints and sepia-tones all of his own work.

Since his first exhibition in 2000, Ion’s work has become part of many private collections throughout the world. His works is in the permanent collection of Museum of Fine Arts in Houston, the Ialomita County Museum of Art in Romania; the Melveny & Myers Collection and the LLP Collection.

WEBSITE

Sambata 15.09.2007 la clubul New Bounce,
AnonimTM va prezinta un party special dedicat
in intregime lui Roli Breaker.

Dupa aproape 10 ani de activitate ca DJ si promoter,
Roli Breaker se pregateste sa schimbe peisajul
timisorean si romanesc cu altceva, mai bun.

Prietenii sai din AnonimTM i-au pregatit un party surpriza,
cu Invitati Surpriza , DJ de pretutindeni
care l-au influentat pe Roli Breaker al nostru.

Ora 22:00
Intrarea 15 RON

During the last three years, [dunkelbunt] has recorded the album MORGENLANDFAHRT, to be released in May 2007 on Viennese urban-world label chat chapeau. MORGENLANDFAHRT is a mix of Dub, Reggae, Bossa, Jazz, Electronics, Trip Hop and Break Beats woven with a Balkan twist. Numerous co-operations with both Viennese and international musicians from the Balkan and Klezmer scenes have enriched many of the tracks on the album, namely performers like 5’nizza, Fanfare Ciocarlia, Amsterdam Klezmer band, Harry Stojka, Östblocket, MC Killo Killo, Orient Expressions and many more.

With MORGENLANDFAHRT, [dunkelbunt] combines the many facets and faces of Southeast European music with various stylistic elements of electronic- and world music. The results of these efforts are fusions one may call Balkan-Dub, Balkan-TripHop or simply Balkan-Electronics!
But MORGENLANDFAHRT is more than a mere musical melding of genres. It tells of a bicycle trip from Vienna to Istanbul in 2005, which provided the inspiration for the album. Travelling through 7 countries during his trip, [dunkelbunt] aka Ulf Lindemann got to know not only the lifestyles of locals but also the places where the music originated. The background sounds, which connect the tracks of the CD, were nearly all recorded on his trip with a small stereo microphone. For example: sunrise and birds in the verdant plains by the Danube (Hungary), evening twilight in the meadows of the Danube (Serbia), on the horse and carriage (Romania), children and the sounds of the waves at the beach on the Black Sea (Bulgaria), at the fish market (Istanbul).

[dunkelbunt] is not only well known for remixing international artists such as Balkan Beat Box, Unified Gecko, Fanfare Ciocarlia, Orient Expressions, Harry Stoijka, Niftys, Eastenders, !Deladap and many more. Within his long-running “Balkan Hot Step” Club Night, [dunkelbunt] has been setting audiences ablaze with his eclectic world music mix and is now considered to be above reproach within the Viennese Balkan scene.

MORGENLANDFAHRT is also a result of Ulf´s move from Hamburg to Vienna in 2001. Initially inspired by the rich electronic music scene in Vienna, he quickly encountered the special Viennese musical diversity ranging from the traditional music from the Balkan to the Orient. This historically grown “Melange” of cultural influences from the near and far eastern neighbours has ever since been a specialty of Vienna which gives it an open-minded and pulsating character. Something you can inhale everyday at Vienna’s famous Naschmarkt with it’s babel-esque mix of languages, foods and goods to buy.

It was this side of Vienna, which let Ulf discover his second passion: he mixes and blends exquisite spices from India, Africa, South America and Europe. Both following old recipes and inventing his own he creates Berbere (Ethiopia), Tandori Masala (India), Cinq-epices (China), bread herbs (Austria), herbal salt and many more. In a certain way cooking and composing seems to be something very similar to [dunkelbunt]. Basically he simply uses different ingredients: herbs or instruments, sounds or colours, taste, smell, or look. It all comes down to the search for an harmoniuos whole. Nuances will come with the seasoning. Food is both – one fort he body, the other fort he soul.

Although the musical essence rests upon the South-eastern corners of Europe, sounds from all around this planet are to be enjoyed: from Vienna to the Balkans, through Anatolia and the Middle East, India, North Africa, not to mention South America, to Jamaica and straight to the swinging North American Thirties.

“When DJing I am travelling around the world together with my audience carried on by the music. Timelessly we are dancing through Countries and Continents getting drunk with the infinite beauty of the music. I consider myself an intermediary searching for soulful music and its magic to share it with other people.”

WEBSITE

MYSPACE 

http://www.comicsunleashed.com/

Unbelievable, electrifying, and gifted are just some of the many words used to describe Gabriel Iglesias, star of the Comedy Central
stand-up special Hot & Fluffy. The high-octane comedian from Long Beach, CA. has been selling out comedy clubs from Los Angeles to
Bangor, Maine and everywhere in between. Gabriel has an ability with voice effects and impressions that is absolutely breath taking. Whether
he’s telling a story about hanging out with his friends, or telling the audience about his dream of former President Bill Clinton, Iglesias
blends his impeccable voice abilities with an uncanny knack for story telling that keeps the crowds on the edge of their seats. It is quite
impressive for a comedian, who is 29 years of age, to be a polished national headliner, who is in high demand.

Anyway…

If u really want to install linux and especially if u are a newbie…its natural that u start with Ubuntu Linux!

If u never had any experience with linux before and u really want to try it, Ubuntu is the perfect choice!You might want to download the live CD so u fell what kind of vibes does ubuntu gives u!

U download the live cd burn it and than just boot from it!This CD will give u a ubuntu experience witout touching your HDD, it just basically loads in the memory!

Now…what happens if u like Ubuntu and u want to install it, but u still want to have Windows on ur machine, and the worst part is that u only have 1 HDD and u are affraid to install Ubuntu on the same HDD with Windows becouse u dont want to mess with the MBR and all that?(this is long and fucked up hope u did understand it )

Well the solution is a little thing called WUBI !

Now what Wubi does?

Well u just download wubi (its free and u dont need to burn it on a cd) and than start to install ubuntu with it!

Wubi installs Ubuntu on ur Windows machine and it allows u to choose what OS do u want to boot!(with wubi u install ubuntu like any other windows app)

It is all good!

If u decide after a while that linux is not for u and u want to delete it,well… u boot into windows and there u find wubi and un-install it like any other windows application!

The instalation of ubuntu …between 1 hour and 1hour and a half , depends on ur machine!

To un-install it u need about 30 seconds or something!

So if u really want to get the Ubuntu experience u just go with wubi !

But keep one thing in mind : LINUX IS NOT WINDOWS!!!

WUBI WEBSITE

Njoy

much love

murda

Din cauza conditiilor meteorologice nefavorabile vom schimba locatia prevazuta initial.

Fara nici o modificare in lineup showul se va tine in Club New Bounce

Soundul din club va fi imbunatatit cu aceasta ocazie

Fiyah Burn Sound/Brigada Artistica Urbana/Dj Snow-inna ArdKore ragga/jungle session

Intrare 1o lei.

The Update Checker will scan your computer for installed software, check the versions and then send this information to filehippo.com to see if there are any newer releases. These are then neatly displayed in your browser for you to download.

FILEHIPPO WEBSITE 

CD 1

00:00 | 01 gica petrescu – sa-mi canti cobzar
00:41 | 02 da hood justice – baiatu’ tinea la tine (intro)
01:53 | 03 qewza – untitled
04:29 | 04 bau – alain delon
05:41 | 05 gil dobrica – discutie in familie / hard b – rock steady
06:40 | 06 shukar collective – malademna
07:22 | 07 taraf de haidouks – carolina
09:05 | 08 fanfare ciocarlia – alili / qewza – yerba trip
10:16 | 09 sensor – confronto
11:13 | 10 trg – bario brio
12:11 | 11 selfmademusic – didjeridoo
13:10 | 12 iordache – didjeridu
14:14 | 13 junkyard – o natiune de mc
15:21 | 14 methadon 3000 – ec, dui, trin me dusmanonghe
16:27 | 15 getto-daci – eu sunt acela
17:10 | 16 da hood justice feat. rimaru, rapsodique – scoala veche de rap
19:12 | 17 r.a.c.l.a. – old school
20:05 | 18 explicit – muzica depravata (live in dubiostudio)
20:46 | 19 ra’medium – comparatii
21:58 | 20 b.u.g. mafia – swamp
23:23 | 21 aura urziceanu – oh, my love
25:14 | 22 anca parghel & mircea tiberian – incant
26:30 | 23 teodora enache & johnny raducanu – iarna, iarna
27:00 | 24 aura urziceanu – iarna, iarna
27:44 | 25 urban experience – someday
29:37 | 26 electric brother – flautul fermecat
30:17 | 27 sensorship – found!
31:51 | 28 eugen iustin – intalnire
32:18 | 29 yawn & spooke – statuie din cioburi… stropi de sticla
33:40 | 30 p nal feat. degro – fast
35:07 | 31 gica petrescu – casuta noastra
35:49 | 32 suie paparude – iarba verde de acasa (live at tm04base)
37:38 | 33 suie paparude – iarba verde de acasa (rodeo mix)
39:11 | 34 timpuri noi – balalau
40:03 | 35 alexandru andries – am pneumonie
40:51 | 36 partizan – i.o.r.
42:14 | 37 gojira & kosak – go go gadget breaks
43:59 | 38 mihai popoviciu – i’m here
45:08 | 39 x-ray – poison
46:19 | 40 urban fear – lost kingdom
48:07 | 41 suie paparude – cedilofobia
49:04 | 42 adapt – gated
49:47 | 43 grooveoholics – spasmic groove
51:13 | 44 dualtrx – caution
52:25 | 45 toxica – dirty shit
53:47 | 46 qewza – foxglove
54:47 | 47 mesmer – grizzel
55:44 | 48 toxica – step
57:45 | 49 d.laid feat. junkyard – 2000 watti
59:25 | 50 toxica – untitled
60:21 | 51 dualtrx – no brain
61:15 | 52 alternosfera – wamintirile (haute culture & d.laid remix)
63:28 | 53 sensorship – silence shifter (toxica’s rework)
64:36 | 54 suie paparude – plan b
65:50 | 55 p nal – one on one
67:14 | 56 cargo – clasa muncitoare
69:01 | 57 corul madrigal – unu mai muncitoresc
69:54 | 58 matze – unu mai
71:59 | 59 fanfare ciocarlia – asfalt tango
76:28 | 60 makunouchi bento – untitled

DOWNLOAD 

CD 2

00:00 | 01 fanfare ciocarlia – besh o drom
00:43 02 | gil dobrica – un singur dor
01:37 03 | aura urziceanu – canto triste
01:55 04 | c.t.c. feat. inthevisualz – this is raw
02:49 05 | cedry2k feat. deliric 1 – istorii secrete
04:26 06 | parazitii – fii pregatit
05:28 07 | selfmademusic – eshu’s dance
06:21 08 | blazzaj – urma
07:28 09 | phoenix – invocatie
08:35 10 | mircea florian – cu pleoapa de argint
09:54 11 | domnisoara pogany – kahani
10:57 12 | partizan – pornesc primul de la stop
11:28 13 | makunouchi bento – lament of the fishing robot
12:22 14 | alexandrina hristov – fata merge pe jos
13:39 15 | maria raducanu, vlaicu golcea, sorin romanescu – pe vale
14:46 16 | teodora enache – succuba
15:33 17 | fanfare ciocarlia – lume, lume
17:17 18 | shukar collective – lautarium
18:00 19 | taraful haiducilor din clejani – sarba pompierilor
19:00 20 | balanescu quartet & maria tanase – wine’s so good
20:27 21 | domnisoara pogany – minaret
21:14 22 | decebal badila – caravan
21:44 23 | fanfare ciocarlia – caravan
22:24 24 | makunouchi bento – chemarea vacilor siderale
22:55 25 | aievea – valleys of indifference
24:07 26 | electric brother – didadada
24:52 27 | ufo & ummo – american ninja dub
26:55 28 | cosmic dust – dave’s secret garden
28:01 29 | sunday people feat. madison park – sense & sensibility
29:01 30 | blazzaj feat. mara – un lucru
30:19 31 | nemos feat. mara – life could be
31:04 32 | urban experience – night circus
32:19 33 | makunouchi bento – spanipig
33:07 34 | mort la creier – si-un mort la creier spune ‘te iubesc’
33:28 35 | makunouchi bento – licure
34:21 36 | minus – ac13
35:03 37 | yvat – seiches
35:40 38 | nonel – sweet scanner
37:02 39 | adapt – plod (adapt remix)
38:00 40 | brazda lui novac – sweet
39:00 41 | empty recycle bin – 1, 2, 3 (un, doi, trei)
39:48 42 | adapt – toy
40:36 43 | brazda lui novac – breeze
41:08 44 | adapt – lost in a northend
41:40 45 | timpuri noi – luca (brazda lui novac remix)
42:51 46 | mikroloop – things you like to hear
44:21 47 | bogdan rosu – retro boogie
45:47 48 | mihai popoviciu – transformed
46:57 49 | vania & midy – afrubiju
48:06 50 | mihai popoviciu – cassettes
49:34 51 | bogdan rosu – qubic part one
50:39 52 | urban fear – we love machines
51:32 53 | urban experience – the chieng plot
52:33 54 | urban fear – schizotimic
53:51 55 | dump 52 – middelvinger (remix)
55:07 56 | urban experience – amplifikator
56:20 57 | urban experience – daisuki
57:09 58 | aura urziceanu – nu-mi cere sa cant
57:49 59 | johnny raducanu & aura urziceanu – jocul tambalelor
58:40 60 | rosu si negru – cadrane
59:43 61 | marius popp – simboluri
60:51 62 | da hood justice feat. methadon 3000 – supersonic
61:44 63 | deceneu – 7 zile
63:03 64 | blanoz distruzos feat. vexxatu vexx – soldatu’ vexx
65:02 65 | c.t.c. feat. khidja clouds society – stiluri
66:34 66 | raku feat. praetor & christu – vremuri mai bune
67:06 67 | c.t.c. feat. raku – tv
67:48 68 | blanoz distruzos feat. vexxatu vexx – we got the tower
68:20 69 | methadon 3000 feat. deceneu – din sub
70:01 70 | turntable science – o alta piesa din pic up
70:22 71 | k-gula & dj undoo – turntablism (undoo session)
70:41 72 | c.t.c. feat. turntable science – turntable bonus
71:02 73 | explicit feat. dj paul – skit
71:21 74 | zale feat. dj dox – interludiu
71:46 75 | b.u.g. mafia – romaneste
72:05 76 | faibo x – timo maas vs. faibo x
72:22 77 | c.t.c. – interzis nefumatorilor (remix)
73:28 78 | cedry2k – profil
74:12 79 | bau – groovin’
75:02 80 | trigga feat. d.laid – unstable
75:53 81 | ez rollers – roadrunner (bau remix)
76:42 82 | p nal – children of rock
78:04 83 | stefan iordache – sa-mi canti cobzare
78:53 84 | theme from margelatu

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mixu e de 20 de minute,
piese numai electrecord 7″

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1. Evolution

2. Tranquility

3. Lack of Love feat Sizzla

4. Different Places

5. Round the World

6. Serenity

7. Soulfood

8. Celebration feat. Alborosie

9. Mount Zion

10. The Light Whitin feat Diana King

11. In Persuit of Happiness

12. Rage and Anger

13. Respond to Yourself

14. Missing Those Days

15. Hosanna

16. Jah Love feat. Jack Riddics and Daddy Rings

17. Sin City

well well…
vineri 7 sept. de la 22 ABSINTHE(fostul strand rainbow) se organizeaza
un session de ragga,jungle si drum&bass cu:
FIYAH BURN SOUND
B.A.U.
DJ. SNOW
intrare 10 lei
drinks si food la preturi rezon!!!
pentru doritorii de baie si alte sporturi acvatico-acrobatice rugam
echipament adecvat!
pulllluupppp!!!

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Supports its own driver search engine, for finding a specific driver
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Supports all 32bit and 64bit Windows.

Get world class technical support through our Ask the Xpert feature.(included)

The entire program is wizard based for ease of use.

Supports all internet connections & driver servers.

Small and easy to download & install.

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PASSWORD : mp3db

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PASSWORD : UpByChArLiE

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